Day: February 25, 2019

Does Whatever a Spider-Pig Does

I finally got around to seeing Spider-Man: Into the Spider-Verse.

...actually, I saw it like a month ago, and that's when I wrote this post. But then I got some kind of flu or something and I'm only now just getting around to posting it. But hey, now it's timely, because it is now Academy Award winner for Best Animated Feature Spider-Man: Into the Spider-Verse. Anyway:

I finally got around to seeing Spider-Man: Into the Spider-Verse. And it blew me away.

Mothra on Brontoforumus described it as the best comic-book movie he'd ever seen. When I read that comment, I assumed he meant the best movie based on a comic. Now that I've seen it, I'm thinking he must have meant the movie that best translated the medium of comics onto the screen.

I'm inclined to agree. It does some really cool shit with comic-style layouts (like the new DuckTales opening titles, if they were two hours long). Where movies like Persepolis and Sin City are straight off the page, Spider-Verse adapts the page itself. In a funny way, I think the movie makes a good defense of Ang Lee's Hulk -- because you can watch Spider-Verse and see that this is what Lee was trying to do with those splitscreen tricks. He couldn't quite stick the landing, but I've always thought it was a fascinating approach -- and Spider-Verse takes those ideas and makes them work.

Plus, after 35 years of "Biff! Pow! Comics aren't just for kids anymore!" headlines, it's nice to see a movie that's finally unselfconscious enough to put sound effects up on the screen.

And the plot -- somehow, a movie that's packed with heroes, villains, and parallel dimensions manages to feel lean and tight. I think part of that is that the script (by Phil Lord and Rodney Rothman) knows who to focus on (Miles > Peter > Gwen > the rest; Kingpin > Prowler > Doc Ock > the rest). It also trusts the audience: not only do Lord and Rothman trust that they don't need to explain who Doc Ock is; they trust that the very idea of a bunch of different versions of Spider-Man from parallel universes is a fit premise for a kids' movie.

They're right.

I took my seven-year-old nephew to see it. He didn't have any problem understanding the many-worlds premise. Granted, it's not the first time he's seen a superhero multiverse; both the 2003 and 2012 versions of the Teenage Mutant Ninja Turtles teamed up with the 1987 versions at one time or another. But the point is, this is a kids' movie that treats kids like they're smart.