Tag: Cory Doctorow

Mmm, Forbidden Comics

Modified from a post on Brontoforumus, 2015-09-23.


In honor of Banned Books Week, the latest Humble Books Bundle is made up of banned and challenged comic books.

It's not just a good theme, it is, in terms of quality content for your money, the single best collection of comics I have ever seen. I've got a couple caveats about the presentation, which I'll get to in a minute, but it's well worth the price of admission, whatever tier you choose to donate at.

Pay more than the average and you get Heartbreak Soup.

Heartbreak Soup is my all-time favorite comic. Your mileage may vary, but as far as I'm concerned, the list of Greatest Comics of All Time goes Heartbreak Soup, then Maus, then that Spider-Man arc where he has to lift the rubble off him as Doc Ock's underwater base collapses. (No, Watchmen is not in my top three.)

The bundle also has the first volume of Bone. Bone is phenomenal; it's an all-ages adventure story in the classic mold, with influences from Walt Kelly to Carl Barks to Don Martin; it's funny and it's gorgeously drawn. You should definitely get it if you haven't read it yet; it's at the first tier so it can be yours for a penny.

The bottom tier's also got Maggie the Mechanic, which is the other Love and Rockets vol 1. (Heartbreak Soup is the first volume of Gilbert Hernandez's Palomar stories; Maggie the Mechanic is the first volume of Jaime Hernandez's Locas stories.) Maggie the Mechanic is great too, but for my money it's not as great as Heartbreak Soup, or as the other Locas stories that followed. (The Death of Speedy is widely regarded as the best Love and Rockets story; it's in vol 2 of Locas, which is not included in this bundle.)

Bottom tier also has The Frank Book. Jim Woodring's work is beautiful, surreal, wordless, and incredibly detailed. I have six pieces of comic book art hanging on my walls. One is a Quantum and Woody poster signed by Christopher Priest; one is an Uncle Scrooge print signed by Don Rosa. The other four are Jim Woodring prints that my uncle gave me for my birthday after using them in a museum exhibit.

There's some other stuff in there that I don't know as much about. I like Chester Brown but I haven't read The Little Man; I like Jeff Lemire but I haven't read Essex County. I suppose they're probably both pretty great based on their respective cartoonists' other work, but I don't know them.

And The Boys is in there. The Boys is not for me; I'm not a Garth Ennis fan. But if you like the sound of a bunch of asshole superheroes being taken down by a group of regular guys led by somebody who looks exactly like Simon Pegg, you'll probably dig it.

To summarize: it's a great bundle. It's worth buying for Heartbreak Soup, Bone, and Frank alone; I bought it mostly because I'd been wanting to pick up Frank, Essex County, and Information Doesn't Want to be Free by Cory Doctorow (available as an audiobook in this bundle; the only item that isn't a comic book).

So. Great bundle. But. As I said, there are some caveats with the format.

The first of which is, you're probably going to be reading these on a tablet. And some of these comics just don't look as good on a 10" screen.

I was especially worried about The Frank Book given the detail of Woodring's work; this stuff's meant to be read at 8.5"x11" size. But I was surprised to find it actually looks great on my tablet. The full-size book would be better, but it also costs $35 and weighs 3 pounds. And that's the paperback version.

Bone looks fantastic on my screen too.

Surprisingly, of the books I've thumbed through, the one that suffered most was Heartbreak Soup.

Part of that's to do with the ratio. The pages of Love and Rockets are shorter and wider than standard comic book pages.

  • Bone page
    Bone
    Scaled to 325x500
  • Heartbreak Soup page
    Heartbreak Soup
    Scaled to 405x500

So on a 6:10 screen like my tablet's, you're left with some major letterboxing and a picture that is uncomfortably small and looks a little jaggy, and text that can be hard to read. (If, on the other hand, you have a tablet with a 4:3 screen, like an iPad, I imagine the Love and Rockets -- and the other more square-ish comics in the collection -- will look a lot better, and you'll have the opposite problem with the more traditionally-sized comics in the set.)

Perfect Viewer also seemed to choke on the file a bit; after the first few pages, it started pausing for long periods of time on each page turn. At first I thought it was due to the file size (the CBZ version is 675MB), but The Frank Book is even bigger and Perfect Viewer didn't give me any trouble with it. So I don't know why it doesn't like Heartbreak Soup, but it doesn't.

In short, Heartbreak Soup is my favorite comic, but my 10" tablet is most definitely not the best way to read it. Again, your mileage may vary; you may have better luck on an iPad, as noted, or if you're cool with just reading it on a desktop computer monitor, it looks great on my 27" 2560x1440 screen. But if you're looking for comics to read on a widescreen tablet, well, there are still a lot of great books in this set that totally justify the purchase, but don't buy it just for Heartbreak Soup. All that said, though? It's still a great damn comic, it doesn't look that bad on my tablet, and if you don't want to look for it at your local library or pay full price for the paperback version, well, it's still worth a read.

There's another one I looked through that I have a visual complaint about, and unfortunately, it's an important one and the granddaddy of all challenged comics: Crime Does Not Pay.

Crime Does Not Pay is a classic. It's the first and most successful of the 1940's-'50's-era crime comics that led to Senate hearings and, eventually, the Comics Code and most of the industry going out of business. But, aside from simply being popular, controversial, and lurid, it's just plain good, with superlative work from the likes of Charles Biro, Bob Montana, and George Tuska.

It's also public domain. You can find most of the series for free on Digital Comic Museum (though if you can spare a donation to keep the site up and running, that would be swell too).

Given that, it's damned disappointing that Dark Horse did such a shoddy job on the colors.

  • Crime Kings splash page
    Digital Comic Museum
  • Crime Kings splash page
    Dark Horse

The first image is a scan from one of the original 1950's printings of the comic. It's not pristine; the colors bleed, and if you look closely you can see right through the page to the panel grid from the opposite side. And there are marks on the left side of the page where the staples were.

But despite those flaws, it looks better than the second image, from Dark Horse's restoration. The colors in Dark Horse's version look garish.

And it's down to the paper stock. The scan looks the way it's supposed to, because those colors are supposed to be printed on newsprint. The background is supposed to look a little gray or tan, and the colors are supposed to soak in and blend together.

Dark Horse's version looks garish because they kept the original four-color printing process but put it on high-quality, glossy paper (or the digital equivalent of same). The colors look wrong.

But, in Dark Horse's defense, it could have been worse -- at least they didn't re-color it. Have you seen what they've done to their Conan reprints? Photoshop gradients everywhere. The horror. The horror.

"It could have been worse" isn't a great defense, though. When it comes right down to it, I'd rather read the Digital Comic Museum version, even if I can see the grid lines from the other side of the page.

The only problem is, the Dark Horse collection contains issues #22-#25 (don't let the numbering fool you; #22 is the first issue -- in those days it was common, when a publisher canceled a comic and started a new one, for the new series to continue the old series' numbering with a new title), and Digital Comic Museum doesn't have #23-#25. So while you can download DCM's superior version of issue #22 (and #26, and #27, and lots more, on up through #147), if you want to read #23-25 then you're stuck with the Dark Horse version, and you'd better be prepared for a hell of a lot of eye-searing bright yellow.

There are plenty of instances of publishers doing reprints of old comics right -- either by using newsprint or by scanning or photographing the original printed pages -- but this isn't one of 'em, and that's a shame.

But, all that grousing aside, this bundle? If you have never read a comic book in your life, this has three that I would rank as Absolute Must-Read, in Heartbreak Soup, Bone, and Frank. It's got one of the legitimate most important comics of all time in Crime Does Not Pay, even if I've got some gripes about the presentation and you might be better off grabbing a scanned version from Digital Comic Museum. And aside from those, it's got several more that may not be quite so high on the must-read list but still rank as Great.

If you like good comics, you should get it. And if you don't like good comics, you should get it anyway, because maybe you just haven't ready any comics this good yet.

The bundle runs for five more days.

Rapture of the Nerds

Rapture of the Nerds is about what you'd expect from a collaboration between Charlie Stross and Cory Doctorow: brimming with big ideas, clever in the technical details, a little on the unfocused side when it comes to actual storytelling.

I enjoyed it. Didn't care much for any of the characters, but I don't think you're supposed to. Some of the plot developments were predictable, many weren't; in at least one case a Chekov's Gun feels like it doesn't quite fire, but for the most part the authors do a great job of following up on the plot threads they start. The climax is clever if, again, unfocused and over too soon.

Well, I guess this makes for a somewhat unfocused review lacking in followthrough, too, which is appropriate enough -- I thought I had more to say but I guess I don't, and anyway I'm tired. The book's well worth a read, and since it's creative commons you can read it for free and then decide if it's worth more than that to you.

C-C-C-COMBO BREAKER

Welp, I didn't post anything yesterday.

That's the first day I've missed since last June.

I didn't miss a day of posting when I went to Montana. I didn't miss a day of posting when I got married.

But, the server went down for a couple days, so here we are.

It happens. My hosting is comped by a former employer. And I know my old boss has had a busy day or two getting everything back up and running. He's a good guy, and it's not an easy job -- I think they've fixed a lot of what was wrong when I was working there, but I'd wager he's still overworked and underpaid.

For my part, I started at a new job today -- coincidentally, the same company that I refused an offer from to go to work for the aforementioned hosting company back in aught-six. I suppose it remains to be seen whether I'll be overworked and/or underpaid there -- but I wasn't today. Easy setup stuff today.

And then I came home and, for the first time in a month, felt good enough to hop on the elliptical.

It's good to be getting back in the swing of things. In both cases.

I think tomorrow I'll even get up early and hit the elliptical before work.


Reading: Rapture of the Nerds, by Stross and Doctorow.

Signage

Yesterday I went to a Cory Doctorow book signing at Changing Hands.

He was promoting his new book, Homeland, but the talk he gave was more general. It dealt with his usual pet issues: overbearing copyright law and its impact on ordinary citizens, and spyware that attempts to control our computers and how it makes them and us less safe. A lot of it was about Aaron Swartz, the talented programmer who developed RSS, helped build Reddit up, spent the last several years of his life fighting charges from the US Attorney threatening a decades-long prison sentence for copyright infringement (when the copyright holders themselves chose not to press charges), and took his own life last month. It's a sobering story -- obviously depression is a complicated thing and it's foolish to blame a person's suicide on one single cause, but I think any reasonable person can conclude that (1) the charges against him contributed to his decision and (2) they were wildly disproportionate to his alleged crime.

Sobering stuff, but a good talk and mostly light despite ending on a heavy note. Nobody in the audience recorded it, but Doctorow said the talk's been recorded elsewhere and that he'd provide a link once it was uploaded to YouTube. (Edit 2013-02-13: Per Doctorow's blog, the version of the speech he gave the next day at ASU has been posted on ustream: part 1, part 2.)

Before all that, I was sitting in the audience waiting for him to come out onstage. I was reading a copy of Circle of Enemies; the lady sitting next to me asked if it was an urban fantasy novel and when I said that it was, she handed me her business card and said that she was an urban fantasy author as well. Her name is Kater Cheek, she's a former student of Doctorow's, and the urban fantasy novel advertised on her card is Seeing Things. I bought a copy when I got home; haven't had a chance to read it yet, but I'm looking forward to it.

I mentioned that I'd recently put out a few audiobooks; she hadn't heard of ACX so I suggested she give it a look if she's interested in producing any of her own.

I talked to Doctorow a bit about audiobooks, too, when it came time for the actual booksigning. The guy in front of me asked if Homeland would be released as an audiobook; Cory said there were no plans at present, because he won't distribute through Audible until they offer a DRM-free option, and Audible is 90% of the market. He said he's looking at options with the Humble Bundle; when I got up there I wished him luck on that, and added that a Humble Audiobook Bundle could be a great help to narrators like myself who don't really have an alternative to Amazon but don't like DRM very damn much either. (I mentioned that, while I sell books on Audible, I can't be their customer, because they don't support my operating system. Crazy.)

Anyway, I asked him to sign my Nexus 7 case, because that's where I keep most of his books.

For Thad -- If you can't open it, you don't own it!  Cory

Which is really a twofer, because now my case has not only a drawing of a skull and crossbones by Cory Doctorow...

Speck's logo looks like an asshole

...it's also got a drawing of an asshole by Kurt Vonnegut.


(For the record, I haven't opened it but I'm pretty confident that I can. It looks easier than my Mac Mini, Wii, or old 60GB iPod, and I've opened them.)

Slow Day

Fiancée stayed home sick today, so I didn't get a chance to record anything.

Dizziness not as bad today; cough/breathing a little worse than when I was taking the full dose of the inhaler, but I'm much more functional so I think I'll probably keep it at a half-dose for now.

Puttered around today. Applied for a few jobs, took care of my lady, worked out, read a bit of Little Brother since Doctorow's signing Homeland at Changing Hands on Sunday and I'm thinking about going. Worked on my Wii homebrew configuration a bit; I haven't gotten my replacement lens in yet but now I've set it up so I can play backups from an external hard drive or SDHC card. (Speaking of, it looks like Sony's trying to get rid of a bunch of inventory; the local Fry's has 16GB cards for $9 and I've seen similar deals online, too.) Seemed like an appropriately Little Brother-y thing to do, though I'm still hoping I can get my Wii fixed up to just play my discs.

Stray Thoughts

Bit of a sore throat today. Second consecutive day I haven't felt quite up to biking downtown for comics. Hope I'm not coming down with anything. I'm on a new inhaler (actually, I've started taking one I haven't taken in a couple years) but it started before that.

Speaking of meds, tried to buy my prescriptions at the Costco pharmacy last night, now that my COBRA's kicked in. They said my insurance card was rejected; when I said I was on COBRA they said I needed a new card. Today I called the COBRA line. When prompted, I entered the option for "I don't know my account number". So it asked me for other information -- first my zip code, then the month I was born, as a two-digit number. I entered 10 and it told me that was an invalid selection. I tried it again; it told me it was an invalid selection. Again and again. That was it. No other information, no option for exiting the loop; it just kept telling me that 10 was not a valid entry, and then telling me to enter the month I was born as a two-digit number. I tried 6-2, for the first two letters of October; I tried saying "October", "one-zero", "ten" -- same error message, over and over. Just for the hell of it I tried 11; got an error for that too. Then I pounded 0 until it disconnected the call, called back, and chose the option for "I don't have an account number" and was promptly connected to a human being.

She told me the pharmacy had been wrong, that my current card is the right one for COBRA, but that my insurance probably won't be processed until thirty days after I paid my first bill. Which is just grand, because my insurer took two months to get my information to COBRA in the first place. Man, health insurance in this country.

Speaking of horrible, kafkaesque looping menus, I also got an E-Mail from CareerBuilder asking me to fill out a survey. I usually do when they ask; I like to think it helps them improve their site, and sometimes they offer prizes.

But the goddamn thing was a mess. It kept asking me the same handful of questions, over and over again. Sometimes it would rearrange the order of the answers I could choose. I began to wonder if this was really a survey to see how I felt about CareerBuilder, or some grad student's psych project to see if my answers would change if the multiple-choice options were rearranged.

I spent about fifteen minutes at it, getting more and more of the same questions, and more and more complex and detailed questions that took longer and longer to answer, and then showed up again thirty seconds later -- and no, you couldn't just choose not to answer. Even if the question was "If you are currently working, how do you like your job?" and the options were "A lot", "Somewhat", or "Not at all" -- if you didn't select any of them, you'd get an error telling you you had to answer the question.

As you might expect, I did not answer the text-field questions more than once; when I started getting them repeatedly, I started putting in things like "I have already answered this question. If you need to find a competent Web developer to fix your survey, I know one who is currently looking for work."

It was about the time I noticed that the progress bar at the top of the page was actually decreasing -- it was at 55%, I clicked continue, and it changed to 53% -- that I finally gave up. I wrote something snarky in the last text box, hit Continue, and then clicked Exit Survey. They probably never saw my responses -- I'm guessing incomplete surveys aren't submitted -- but I did click Continue that one last time, just in case.

Other'n that, kind of a slow day. Got declined for an audiobook part (no big deal, that's part of the job; I'll record some more auditions tomorrow if my throat's better), called a contact for a job lead (left a voicemail). When my fiancée got home we took a trip up to Changing Hands; I bought a used copy of Starship Titanic (one of the few remaining Douglas Adams books I haven't read), and noticed that Cory Doctorow is going to be doing a signing next week. Guess you have to buy a book to get a ticket, so I suppose I should buy one of his books in print -- otherwise I guess I'd have him sign my Nexus 7, since that's where I've been keeping my copies of his books up to this point. Debating whether to go or not, but it would be fun.

Strange Bedfellows

I can't say I agree with the Republican Study Committee on many things -- among other things, their leadership is responsible for holding the budget hostage to pursue more tax cuts for the 1%. (At least they're willing to discuss cutting the budget for the military.)

But, per Cory Doctorow and Mike Masnick, they've put out a paper called Three Myths about Copyright Law and Where to Start to Fix It, and while so far I've only skimmed it, it looks pretty fantastic.

There is a strong conservative case to be made against modern American copyright law: it's a big-government handout to Hollywood that grants artificial monopolies, interferes with the free market, stifles innovation, and is clearly not what the Founding Fathers intended when they wrote the Constitution.

I'm not optimistic about the Republican leadership, or the Democratic, picking up the baton on this one. But I think it's a pretty big deal that people are actually talking about it -- and that some Republicans still remember that what "conservative" actually means isn't just "tax cuts for the rich".

All the major copyright landgrabs of the past couple of decades, from the DMCA to TPP, have been bipartisan efforts by lobbyist-owned politicians, with as little input from the voters as possible. SOPA/PIPA showed that while their support among politicians may be bipartisan, their opposition from an informed public is nonpartisan.

Even if nothing comes of this right away, I'm sure we haven't heard the last of it. Kudos to any politician willing to speak truth to power on this subject, regardless of party and regardless of disagreements we may have on other issues.