Category: Music

Easy Meat

Paris, 1980; the audio's better quality than I expected from the video quality.

I read something Frank Conniff wrote a few years back, to the effect of, "The two best TV dramas of the past decade were The Sopranos and Buffy the Vampire Slayer. And the reason people who watched Sopranos didn't watch Buffy the Vampire Slayer is because it was called Buffy the Vampire Slayer."

So with Zappa (himself an MST3K favorite). He was easy to dismiss as a novelty act, with song titles like Easy Meat, Yellow Snow, Titties 'n Beer. Fail to look past his often-adolescent humor and you could easily miss the sophistication of his lyrics, his intelligence as a social commentator, and his sheer musical talent. You could miss one of the greatest American composers, on par with Gershwin and Copland, and absolutely unique in the rock genre. (If you want to constrain him to a genre.)

I always got the impression that, like many great American artists, he was better-appreciated on the other side of the Atlantic. The last two nights' videos were of shows in Germany, and tonight's is in France -- where I think it's fair to say they considered him something of a...

...what's the word? A supreme talent? A very smart man? Damn, there's a word for that; tip of my tongue...

Sofa No. 2

Munich, 1978.

I mentioned before that my first two Zappa albums were One Size Fits All and Over-Nite Sensation. You can probably see a bit of that in my selections here; I keep going back to those two.

Chester's Gorilla

Florentine Pogen. Per the poster, this is a soundboard recording from a show at the State Farm Theatre in Harrisburg, 1974-10-29.

That's Napoleon Murphy Brock on vocals again, and I'm sorely tempted to start tagging these posts with individual band members instead of just "Frank Zappa" but man that would be a lot more bookkeeping. But seriously, Zappa had a whole lot of great bands over the years. Both Zappas have had a lot of great bands over the years, now.

Eat That Question

According to the uploader, it's from the Capitol Theater, Passaic, NJ, May 9, 1973.

Another fantastic instrumental piece from The Grand Wazoo.

Interstellar Overdrive

Sorry for another short post -- but hell, this makes four straight weeks of posting something every day, anyway.

Zappa with Floyd, live in Belgium, 1969.

Muffin Man

1977; not sure where.

Great improv song; simple two-bar phrase with Zappa riffing like, well, a Mother.

Like Pigs from a Gun

I Am the Walrus, with the incomparable Ike Willis on vocals. Warning: The video ends pretty abruptly. (The other vids I've found end just as abruptly and look worse; let me know if you find a better one and I'll post it up.)

Peaches en Regalia: The Music Video

Zappa was not a fan of MTV. He hated the way it deemphasized music in favor of superficiality. In that Spin interview I linked (the thing that started off this whole Zappa-a-day thing I've been doing), here's what he had to say:

Guccione: Do you think much music came out of the '80s that was valid, as music or as social criticism?

Zappa: Well, I kept doing it. I'm sure there were a few people in America who did it, but you never heard it, because the bulk of what you heard is what you saw. The beginning of the '80s gave us MTV, and music changed and switched from an audio to a video medium.

Guccione: For better or worse?

Zappa: For worse, because I believe that the way music is to be consumed is through your ears, and it shouldn't be too important whether the person performing it looks like a model. The record companies thought it was the greatest thing that ever happened to them because it was a way for them to get cheap commercials. And so the tail started wagging the dog. The record companies stopped signing groups that could play in favor of groups that looked good in pictures because they figured we could always get a producer to sing their songs and do their stuff for them, and that happened plenty of times. So you get a bunch of models to make the video and forget about the music. So that part of that worked. A young audience who never experienced any music to speak of started watching MTV the same way they watched Saturday morning cartoons. And it caught on. There was no competition. Before MTV if you wanted to have a hit record, there were probably 10,000 stations in America where you could break something regionally and have it spread. Now there is one MTV with a short playlist, and because of that the record companies put their own balls into the bear trap and sprung it on themselves, now they can't make a move without calling MTV and getting permission, they call up in advance to say we are getting ready to make a video, we are going to have such and such pictures in it, what do you think, and MTV is a total censorship organization and it has all the major record companies at its mercy. I started getting really weary of MTV when they started inventing rock n' wrestling, where we're seeing videos of Hulk Hogan urging kids to take their vitamins, urging kids to grow up big and strong like him, and be an American. It really was on the level of a Saturday morning cartoon.

But of course music videos are distinct from MTV. (That is, of course, quite a lot more obvious 20 years later, now that MTV doesn't actually show music videos anymore, and the vapid superficiality of the American music industry has moved on to American Idol and its myriad imitators.) Music videos themselves? The idea of fitting a visual to a song? Yeah, Zappa got how that could be pretty cool.

I am sure it is not coincidental that this looks absolutely nothing like anything you'd see on MTV. (Also, it made me dizzy.)

Tiny Is as Tiny Do

City of Tiny Lights. More Bozzio and Belew.

At a glance I'm pretty sure it's from Baby Snakes. One of these days I'll sit down, watch the whole three-hour movie, and talk about it some more.