I never got around to watching West Wing, but I know Aaron Sorkin's work well enough to say yup, Newsroom sure is an Aaron Sorkin show.
It's a show where snappy patter gives way to self-congratulatory political bombast; it's probably the most sanctimonious liberal wankfest you'll find on TV now that Olbermann's gone. And I say that as a liberal, a guy who generally likes Olbermann, and for that matter somebody who's been enjoying The Newsroom. Mostly.
But man it does get pretty over-the-top.
And that's when I like to picture Jeff Daniels with frozen snot caked to his face and his piss-soaked pants stuck to Jim Carrey. It helps to deflate the hot air a bit.
The show's also written around not one but two (and, spoiler alert, three by the end of the first season) annoying damn will-they-won't-they office romances: one between the two principals, and another between a couple who bear at least a passing resemblance to Jim and Pam on The Office.
And when I say "at least a passing resemblance", I mean the Jim Halpert character is named "Jim Harper".
He's not as fun as Halpert, though. He's more of a joyless workaholic who nevertheless is more appealing than Not-Pam's current boyfriend. While Not-Pam is less charming than Pam, makes poorer life decisions, and is frankly a little dumb in a way the show repeatedly plays for laughs. In short, the whole thing reeks of the network demanding that the writers stick some romantic tension in between all the political monologues, and the writers put about as much effort into it as changing "Halpert" to "Harper" would suggest. ("So, 'Poochie' okay with everybody?")
In their defense, they know it. There's a whole episode devoted to how the show-within-a-show has to cover Casey Anthony because it's getting clobbered in the ratings by focusing on shit that's actually important instead. The message is pretty clear: look, sometimes you have to put crowd-pleasing bullshit on your show to get people to watch the important parts. And I have faith that the writers are smart enough and have a strong enough grasp of irony that the connection is intentional.